A project by Violeta González Maluendres
Under the red Kreeh eclipse, visitors engage with fragments of history, reactivating the Selk’nam archive.
As the exhibition unfolds at Bardo Projektraum, the installation expands beyond memory into a series of activations. These encounters open the Selk’nam Archive as a space for presence, collective practice, and reflection. The program invites visitors to move through the work together: approaching memory not as a fixed narrative, but as a living process.Jan 22 | 18:00 – 21:30 Opening / Vernissage + PerfoJan 28 | 17:00 – 19:00 Open Table / GatheringFeb 01 | 14:00 – 16:00 Workshop: Skinsight: la piel adentro. Skinsight proposes working with the body as a surface of perception, memory, and inscription, moving from individual experience toward a shared cartography made through textile gestures, attention, and presence.The workshop unfolds as a collective action where hands, threads, and territory meet. The resulting piece will remain on view as part of the exhibition, continuing to grow as a living archive.Limited capacity.Feb 06 | 17:00 – 21:30 Guided Tour (5pm) & Finissage
THE PROJECT’S THESIS
Eclipse of Kreeh proposes an archaeological journey through memory: a living archive where history is reconstructed from fragments, silences, and the gestures of those who survived the extermination.The visitor becomes an active part of the narrative—detective, archaeologist, accomplice—confronting the question of who narrates, from where, and with what tools. The installation interlaces analog and digital technologies to materialize the displacement between times and bodies, and to reactivate the feminist alliance that Anne Chapman, Ángela Loij, and Lola Kiepja traced to preserve a cosmovision in danger of extinction.
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Violeta Maluendres González (1987) is a visual artist and cultural worker from the Pampas plains of Argentina, now based in Berlin. Trained in Communication Sciences, she works across multiple formats to create critical and sensitive visual narratives. Her practice bridges cultures and activates memory, moving through hybrid languages that use layering and transparency as metaphors for complex identities and lived histories. Each piece reflects her commitment to the sensible and the political, blending authenticity with tenderness.
Carla Montserrat Andrade Alvarado
Co-curatorEducator, researcher, and artist. Her practice weaves together art, education, and social engagement, with a strong commitment to memory work, radical pedagogy, and the creation of alternative spaces for knowledge and imagination. As co-curator, she contributes to the conceptual development, ethical framing, and mediation strategies of the project.

María Daniela González Bellozas
Architect & Exhibition InstallerArgentine architect based in Berlin, with over ten years of experience in infrastructure projects and technical site management. She specializes in exhibition mounting and production. Since 2019, she has developed de.joyitas, a contemporary jewelry project researching the intersection of architecture, art, and materiality. In this project, she is responsible for spatial design, mounting strategies, and technical feasibility.

Manuela Sanchez
Performance CoachBerlin-based playwright, director, and performer from Buenos Aires. Her practice combines dramaturgy and performance to explore personal memory, collective experience, and contemporary social structures, with a particular focus on archival research and political histories. She supports the performative and embodied dimensions of the project.

Web Design & Digital Curation by Violeta Maluendres González ✸ 2026